Even a story that moves needs a light that knows exactly where to land. The F400VMZ takes Telescopium's discipline — true color, clean focus, theatre-grade restraint — and gives it 540° of pan and 270° of tilt, so the same precision that holds a static scene can now follow one.

A 6000K COB source with CTO color temperature correction and 0–100% linear dimming keeps white light exactly where a designer sets it, cue to cue, while electric focus across a 6°–50° range and a 6–150m projection distance let one fixture handle an intimate two-hander or a full-stage reveal. At CRI >95, it holds the same color integrity Telescopium is built on — even in motion. 16-bit linear correction on both axes means every movement lands exactly where it's cued, not just close to it, and an intelligent temperature control system keeps the fixture protected through the longest tech day.

Ten DMX channels and master/slave, self-propelled, and voice control modes make the F400VMZ as flexible in the booth as it is precise on stage — proof that motion and narrative focus were never opposites to begin with